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Photo by Carly Peltier

Friday, November 19, 2010

How To Dress Well


An inscrutable mixture of eerie DIY electronic soundscapes and the soulful falsetto of a folkie, How to Dress Well is one of the most creative, ear-grabbing bands to be heard right now. The juxtaposition of new and old, the clashing of genres, the mysteriousness of the musician himself – it’s an exercise in true indie innovation.  HTDW sounds like a mix between Bon Iver and Animal Collective, with bold shades of vintage R&B.
A voice of a sad-eyed soul singer, How to Dress Well was born from the experiments of enigmatic Brooklyn resident, Tom Krell. Rough, sampled, and blatantly bedroom lo-fi, the beautiful ambient sounds build a perfect background. And with Krell’s nasally voice floating over top, it feels at times more like an art project than band.

HTDW has released a series of progressively independent EP’s - all worth checking out – but his full album, titled Love Remains, is the standout of his work. It plays out like a long, continuous 70’s pop song, skewed and turned on its head several unpredictable times over.
In the increasingly crowded world of experimental electronic bands, How to Dress Well carves out a unique place. Strikingly stylish and personal, and grounded in the underground, this band could be the next best band you’ve never heard of. 



How To Dress Well – You Won’t Need Me Where I’m Going

Sunday, November 7, 2010

High Places and Weird Noises


OK, so.The hot candy-cane chick/neo-hippie way-too-old-for-her-boyfriend music duo isn't anything new (White Stripes, Johnny Cash/June Carter, Crystal Castles, to name a few). What makes High Places different from these other bands is their seemingly contradictory styles. It's like mashing up a Miley Cyrus song with a Notorious B.I.G. song; twistedly delirous, but totally awesome.

High Places mesh soft, far-away vocals with break-beat natural percussion. "From Stardust to Sentience" is one of those highly transient songs that one might see in an emotionally packed, slow-mo fly-by scene in an alt-film. The bands ability to mesh seemingly distinct and different sounds demonstrates itself in "On Giving Up." A driving, phasered bass line meets a reverbed, wah-ed out opera voice. Complete with freaky atmospheric noise that one could only guess what it is. Take a magic carpet ride with these awkward love-birds.


From Stardust to Sentience.mp3
On Giving Up.mp3